Dmitrii Bezuglov

Selwyn College
  • PhD student

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Project title: From stage to screen to society: KVN and the transformation of Soviet youth entertainment in the 1960s

Supervisor: Prof Emma Widdis.

Scholarships/Prizes: 

2023-2026 Hill Foundation Scholarship 

Conferences:

'Sportization鈥 of Club for Merry and Cheerful (KVN) (1967). Constructing the Soviet: Regional Diversity and Searches for Identity. European University at St Petersburg, 28-29th April 2023

Sensitive topics in contemporary theatre (joint presentation with Valentina Anufrieva). 鈥淭heatre in public space: aesthetics, economics, and politics of in situ shows.鈥 Moscow School of Social and Economic Sciences. 12-13th November 2020

The repeated turn: from creative economy to cultural economics. Cultural Economics: Traditions and Perspectives, Higher School of Economics鈥檚 Perm Campus. 19-20 February 2018 

Publications:

Untitled [Review of the book Lindi S. (2022). Razum v tumane voini. M.: Alpina Publishers]. Neprikosnovenny Zapas: Debates on Politics and Culture. 2023. 鈩 4 (150), pp.  219-223.

The Garage Journal Reader / ed. by D. Bezuglov. M.: The Garage Museum of Contemporary Art. 2021. 464 p. 

Bonfires in the glade: toward the relationality of 鈥淕lobal East.鈥 in Critical remarks on Martin M眉ller鈥檚 article 鈥淚n Search of the Global East: Thinking between North and South.鈥 Russian Sociological Review (Soziologicheskoye Obozrenie). 2020. 孝. 19, 鈩 3, pp. 130鈥166

Research

Research interests

  • History of Soviet television
  • History of Soviet sociology
  • Sociology of culture

My project examines spectatorship and audience engagement in Soviet entertainment television during the 1960s, focusing on the show Klub veselykh i nakodchivykh [Club for merry and quick-witted]. My research, titled From stage to screen to society: KVN and the transformation of Soviet youth entertainment in the 1960s, analyses how institutional conditions and creative practices enabled KVN's evolution from an experimental television format to a participatory cultural phenomenon. Before my doctoral studies, I completed my Bakalavr and Magistr programs in Philosophy at Ural Federal University and an MA in Sociology at the Moscow School of Social and Economic Sciences (Shaninka). Outside academia, I worked as a curator, responsible for the exhibition series 鈥機enter of Thaw Research鈥 at Voznesensky Center (Moscow, Russia) and co-devised public programming for the Ural Industrial Biennial of Contemporary Art (Yekaterinburg, Russia).