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Faculty of Modern and Medieval Languages and Linguistics

 

Dr Doyle D. Calhoun

Portrait
Pronouns: 
He/him
Position(s): 
University Assistant Professor
Department/Section: 
French
Faculty of Modern & Medieval Languages & Linguistics
Contact details: 
College: 
Location: 

25 Fitzwilliam St., #4, Ƶ CB2 1QH (office)

Peterhouse, Trumpington Street, Ƶ CB2 1RD (mail)

About: 

Dr. Calhoun is University Assistant Professor of Francophone Postcolonial Studies and Fellow of Peterhouse. He teaches and works on a broad range of topics related to African and Caribbean literatures and cinemas. He is the author of(Duke UP, 2024), which charts a long history of suicidal resistance to French colonialism and neocolonialism from the time of slavery to the Algerian war for independence to the “Arab Spring.” A French translation, Mourir pour n'être à personneis forthcoming from La Découverte (2026). Along with Cheikh Thiam, he edited the volume(Yale UP, 2025), which explores the convergence of literature and various audiovisual artforms within Senegal’s vibrant and dynamic media ecologies. Calhoun also completed a book-length translation of Léopold Sédar Senghor’s prose works, (trans. and ed. Doyle D Calhoun, Alioune Fall & Cheikh Thiam),which will be published by Duke University Press in April 2026. Dr. Calhoun has also published articles on the history of missionary and colonial linguistics as well as historical sociolinguistics. His public-facing criticism has appeared in venues such as the Los Angeles Review of Books,SalonandPublic Books.

He is the organiser of the film series and symposium ' (12–14 November 2025, Ƶ).

He is currently working ontwo new books, Africa after 1848, about how contemporary writers from Africa and the African diaspora remake conservative and teleological understandings of abolition, andFlorence, an exploration of France’smission civilisatricethrough the biography of one of West Africa’s first women religious.

Dr. Calhoun’s articles have received several prizes, including the 2024 Malcolm Bowie Prize from the Society for French Studies, the 2024 William R. Parker Prize from the Modern Language Association, the 2021 Ralph Cohen Prize from New Literary History, and the 2016 Vivien Law Prize from the Henry Sweet Society.

Dr. Calhoun received his Ph.D. in French from Yale University in 2022, where he was also an affiliate of the Council on African Studies, after earning an M.A. in linguistics from KU Leuven. Before coming to Ƶ, he taught for two years at Trinity College (CT). He has held academic residencies at the Fondation Camargo (Cassis) and the Bibliothèque Marmottan (Boulogne-Billancourt) in France and studied, researched, and taught in the United States, France, Belgium, Senegal, Morocco, and the Caribbean. As an undergraduate, he studied linguistics and French literature at Boston College (USA).

Teaching interests: 

Dr. Calhoun welcomes inquiries from potential MPhil and PhD students interested in working on topics in African and/or Caribbean literatures and cinemas, the afterlives of French slavery, Négritude and Panafricanism, and the literature of decolonization.

Research interests: 
  • Francophone African and Caribbean literature and cinema
  • Senegalese literature and cinema in French and Wolof
  • The archives and afterlives of Atlantic/American and African slavery
  • Abolition
  • Négritude and African philosophy
  • African transmedia
  • The literature of decolonization
  • The history of linguistic thought, especially missionary and colonial linguistics
Published works: 

Books:

  • (Duke University Press, 2024)
  • with Alioune Fall & Cheikh Thiam, (Duke University Press, forthcoming 2026)
  • Mourir pour n'être à personne, préface d'Elsa Dorlin(La Découverte, forthcoming 2026)

Edited volumes:

  • ,co-edited with Cheikh Thiam (Yale University Press, 2025)

Articles and book chapters:

  • “Negritude and the Promise of African Literature,” inIntellectual Traditions of African Literature, 1960–2015, eds. Cajetan Iheka and Jeanne-Marie Jackson (Ƶ University Press, 2025), 65–86
  • “Senegalese New(s) Media: Transpositions and Transformations of theFait Diversin Aminata MaïgaKa,"Journal of Postcolonial Literary Inquiry 11, no. 3(2025): 277–97.doi:10.1017/pli.2024.20
  • “'A Kind of Literary Archeology': Excavating Morocco’s Slave Past,” African Studies Review 68, no. 1 (2025): 1–20. doi:10.1017/asr.2024.239.
  • with Jill M. Jarvis, “Follow the Ghosts: On Teaching Mati Diop’sAtlantique(s)Transmedially,”Yale French Studies144/145 (2025), 69–99.
  • “Flipping the Script? Native-Speaker Linguists and Colonial Orthographies in Nineteenth-Century Senegal,”Journal of Historical Sociolinguistics9, no. 2 (2023), 1–29.
  • “Variations onVerrition: Re/turning to the Enigmatic Final Word of Aimé Césaire’sCahier d’un retour au pays natal,”PMLA138, no. 2 (2023), 306–320. **Winner of the 2023 Malcolm Bowie Prize,Society for French Studies; winner of the 2023 William Riley Parker Prize,PMLA
  • “Dead Narrators, Queer Terrorists: On Suicide Bombing and Literature,”New Literary History53, no. 2 (2022), 285–304.**Winner of the 2021 Ralph Cohen Prize,New Literary History
  • “Au seuil de la grammaire: l’appareil préfaciel français dans la grammaticographie « missionnaire » de langues africaines à l’époque coloniale, 1850–1930,” inThe Architecture of Grammar,Tim Denecker, Piet Desmet, Lieve Jooken, Peter Lauwers, Toon Van Hal & Raf Van Rooy (Leuven: Peeters–Orbis Supplementa, 2022), 425–41.
  • “Looking for Diouana Gomis (1927–1958): The Story behind African Cinema’s most Iconic Suicide,”Research in African Literatures52, no. 2 (2021), 1–35.
  • “A Fugue for the Middle Passage? Suicidal Resistance takes Flight in Fabienne Kanor’sHumus(2006),”French Review95, no. 2 (2021), 127–44. doi: 10.1353/tfr.2021.0267.
  • “Unearthing the Subtext of Slavery in Zola’sGerminal,French Studies75, no. 4 (2021), 449–67.
  • “(Im)possible Inscriptions: Silence, Servitude, and Suicide in Ousmane Sembène’sLa Noire de…,”Research in African Literatures51, no. 2 (2020), 96–116.
  • “Flowers for Baudelaire: Urban Botany and Allegorical Writing,”Nineteenth-Century French Studies49, nos. 1–2 (2020), 17–34. doi: 10.1353/ncf.2020.011.
  • “Fanon’s Lexical Intervention: Writing Blackness inBlack Skin, White Masks,Paragraph43, no. 2 (2020), 159–78.
  • “Colonial Collectors: Missionaries’ Botanical and Linguistic Prospecting in French Colonial Africa,”Canadian Journal of African Studies / La revue canadienne des études africaines52, no. 2 (2018), 205–28.
  • “What Gets Lost in the Digital (Re-)presentation of Older Linguistic Texts? Digital Editions, Manuscript Reality, and Lessons from the Digital Humanities for the History of Linguistics,”Beiträge zur Geschichte der Sprachwissenschaft27, no. 1 (2017), 137–66.
  • “Reading Paratexts in Missionary Linguistic Works: An Analysis of the Preface to the Holy Ghost Fathers’ (1855)Dictionnaire français–wolof et wolof–français,”Language & History60, no. 1 (2017), 53–72.**Winner of the 2016 Vivien Law Prize,Language & History

Essays, interviews & translations:

  • “Editor’s Preface: Senegalese Transmediations,”Yale French Studies144/145 (2025), 1–13
  • with Mohamed Mbougar Sarr, “Thinking in Images: A Conversation with Mohamed Mbougar Sarr,”Yale French Studies144/145 (2025), 219–41
  • (from French) Elgas, “Elgas’s Notebooks: Return to Koubanao,”Yale French Studies144/145 (2025), 2019–15

Public criticism:

  • "Spectacles of Return: The Silent Labors ofDahomey,"Public Books (2025),
  • "A Map to Black Paris?" Los Angeles Review of Books(2025),
  • "African Transmedia: Says Who?,"Yale University Press Blog(2025),
  • “An ‘Extreme Act of Protest’: The Long History of Self-Immolation as Political Statement,”Salon(2024),
  • “Putting French Literary History on Trial,”The Sydney Review of Books(2022),[selected for reprint fromPublic Books]
  • “Putting French Literary History on Trial,”Public Books(2022),
  • “Sembène’sBlack GirlIs a Ghost Story,”Public Books(2021),
  • “How War—and Racism—Makes Monsters Out of Men,”Public Books(2021),

Podcasts

  • "The Suicide Archive," Conversations in Atlantic Theory (2025),
  • “The Archipelago, feat. Doyle Calhoun,” Stegi Radio (2025),
  • “The Suicide Archive,” New Books Network (2024),
  • “Raconter les suicides d’esclaves: des histoires qui sortent du silence,” Canal Académies (2022), https://.